On his birthday, Steve comes home from work and is confronted with a seductive videotaped message from his wife, Alexandra (Helen Buday), who cuts her striptease short in order to air out her marital problems. Place2Be will launch The Felix Project next year at Pershore School, raising awareness of young mental health issues and training Year 12 students to be Peer mentors. This finger-wagging thriller empowers no one and punishes everyone. For half an hour of screen time we follow a day in the life of the couple we’re introduced to at the outset, Steve (Gary Sweet) and Alexandra (Helen Buday) along with their primary-school-age children Emma (Samantha Knigge) and Sam (Jock Christie). Yet Alexandra’s Project is finally not a film that ‘says’ a great deal: beginning as a formalist exercise, it goes on to undermine the very notion of cinematic craft, suggesting a deep suspicion of the artist’s claim to truth or moral wisdom. Critical reception. But when she vanishes, it’s not alone. Some of Alexandra’s masochistic behaviour (in the opening sequence, for example) suggests that at the deepest level the punishment she doles out may be directed against herself, though de Heer’s own purposes are too contradictory to let us settle on this interpretation or any other. Cast: Gary Sweet, Helen Buday, Bogdan Koca, Jack Christie, Samantha Knigge Director: Rolf de Heer Screenwriter: Rolf de Heer Distributor: Film Movement Running Time: 99 min Rating: NR Year: 2004 Buy: Video, Enter to Win Jungleland and The Cleansing Hour on DVD, Spiral on Blu-ray, and More, Our Preview Section Is Your Most Complete Guide for All the Films Coming Your Way Soon. Laura and her husband Danny enjoy raising their two daughters, traveling, racing, and working their Belgian Malinois named Taz. In an era when film festival catalogues use ‘pulp’ as a ubiquitous term of praise, filmmakers and audiences alike are hooked on the cheap fix of automatic writing and a self-consciously ‘dumb’ romantic nihilism – the dream of using a deliberately excessive narrative to hack into rather than make sense of a collective social and cinematic unconscious, conceived as a swirling chaos of unspeakable, violating sexuality. And Alexandra Cane was letting fans into the secret of her new figure as she began shooting her fitness plan The Happy Body Plan in Tenerife on Friday. It’s likely that many viewers (not only men) will at first have more sympathy for the increasingly beleaguered Steve, who seems the more readable and ‘normal’ character. With Gary Sweet, Helen Buday, Bogdan Koca, Samantha Knigge. “ 23. Otherwise, we’re left with a cinema that’s ‘crazy’ in a truly negative sense, having less to do with the liberating power of irrationality than with the nightmarish tedium of traumatic scenarios that forever circle back to the same place. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Bravely, de Heer refuses to make Alexandra conventionally glamorous or even likeable: Buday’s performance blends stridency and a pixyish, childlike scattiness in a way that renders her almost as opaque and ‘implausible’ a figure as David Gulpilil in The Tracker. You also have the option to opt-out of these cookies. Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. With artifice stripped away, we might presume that the film will now reveal its real thematic “project.” But as the video proceeds, it becomes clear that Alexandra has no intention of explaining what’s going on, or showing us her naked ‘true’ self. Black wheelie-bins line the street like sentinels. The breaking of nations order and chaos in the twenty-first century Cooper, Robert. Click here to make a donation. Lee Alexander McQueen, CBE (17 March 1969 – 11 February 2010) was a British fashion designer and couturier. He’s older and more experienced than most of the directors mentioned above, and he’s now developed a surprisingly proficient, almost ‘classical’ style – as if his cinema, having babbled for all these years, had finally learned to speak. The Legacy Project A Guideline Booklet for Leaving a Legacy Capturing the Memories of the Past and Planning for the Future Ernest H. Rosenbaum, MD Paula Chung Alexandra Andrews Alexandra von Ehrenkrook Stephanie Shapiro, BA David Spiegel, MD With Louise Maffitt, BFA December 20, 2007. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. Without giving too much away at this point, it might be said that this clash enacts stylistically the emotional violence it foreshadows: a setting as homely as the party decorations made by the children (the coloured paper-chains and banner that says “Happy Birthday Dad”) is lingered upon and toyed with until it seems like a fragile mask for some horrific truth. A wife with a grievance takes revenge on her husband in "Alexandra's Project," a grim examination of the human condition from Aussie auteur Rolf de Heer. People are just “collections of atoms.” Bacon is really “dead pig.” Sex with Steve, for Alexandra, is when “you stick that thing of yours in and move it around a bit.” While de Heer mainly tries to keep in sync with the outlook of his arthouse public, in the end the liberal bromides feel like alibis – with his wilful clumsiness and ugliness, at a deeper level he seems to be trying for the impossibility of an innocent vision without preconceptions, adequate to the horror of reality-in-itself. Alexandria Ocasio-Cortez, a Democratic Socialist, stunned the political world on Tuesday when she defeated Rep. Joe Crowley (D-N.Y.) in an upset victory during New York's Democratic primaries. The equally problematic Alexandra’s Project is simply glib. Currently, she holds a joint appointment with the Kirwan Institute for the Study of Race and Ethnicity and the Moritz College of Law at Ohio State University. In contrast to his sadly wooden villain in The Tracker (who had all the stone-cold authority of a sarcastic maths teacher) Gary Sweet acts here with intelligent broadness, never condescending to a character who might have been a mere chauvinist fall guy. The Princess is President of Alexandra Rose Charities, founded in 1912 by King Edward VII's wife Queen Alexandra initially to raise money for hospitals through the sale of roses. Moment by moment, shot by shot, his two most recent films display a confidence and sense of purpose only occasionally apparent in such earlier efforts as The Quiet Room (1996), Dance Me To My Song (1998), or even the defining film of his career, Bad Boy Bubby (1994). While there’s clearly tension between Alexandra and Steve, on the surface the only thing out of the ordinary is that it happens to be Steve’s birthday; the children give him their presents before he leaves for work, and de Heer then cross-cuts between Steve at the office (where he receives a promotion) and Alexandra and the kids at home (where they prepare a mysterious “surprise”). Laura Kathleen also helps manage the family business, Exotic Motors Auto Group. Do we get any sense of who Alexandra might be in herself, apart from the various stock roles we see her play out – supportive wife and mother, victim, bitch-goddess, whore? Grand Duchess Anastasia Nikolaevna (June 18, 1901—July 17, 1918) was the youngest daughter of Tsar Nicholas II of Russia and his wife, Tsarina Alexandra. Quiet Room becomes mute as a central plot device, traveling, racing, and delicious world order that emerged. 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